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ARTIST BIO

IMG_1994.HEIC

Alexei Lantsev

Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                                  But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                                  Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.

So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

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Artist Bio

Loukas Morley is a multi-media artist, painter, sculptor and designer, with a long standing fascination with materials and their transformation, deeply inspired by the local environment and found objects. He is a graduate of Cambridge Regional College (Diploma in Art and Design) (1992) and Newport School of Art & Design (BA, Interactive Arts) in Caerleon, South Wales (1995). He spent time living and working in Scotland as well as in Canada, where he collected driftwood from ocean's  beaches to make into site-specific sculptures and installations, before returning and settling in Cambridgeshire, UK. His knowledge of the surrounding countryside and county's villages and landscapes as well as the medieval streets and city scape of Cambridge, and its iconic College's means that for Morley the Cambridge and Cambridgeshire local environment is a source of both materials and inspiration.

Loukas Morley’s work has been exhibited in the UK and internationally including at Churchill College, Cambridge (2014), Cambridge Folk Museum (2018), the Museum of Classical Archaeology (2019), as well as London’s Mall Galleries (2012), Barbican Arts Trust (2014) and Sotheby’s (2021), the satellite exhibition of the 56th Venice Biennale, and most recently in Cambridge's ArtSpace 5-7 (2025) in a solo exhibition spanning  over 30 years of work and practice. 

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